Media skills for media people

Farewell and Thanks to Mandy Berry - a key part of the creative media industries

July 3rd, 2009 by Triston

01_1_06Last night,  key figures in the education, skills and business world of creative media gathered in a Soho basement to wish Mandy Berry well in whatever she does next.

Mandy Berry has ran 01zero-one for the last five years. It is a fantastic resource for the UK creative media industry - a sector-specific training space, deep in the heart of Soho. Skillset has done many fantastic things with Mandy and 01zero-one in that time - things like First Post, cutting edge subsidised training courses for employees and freelancers, a brilliant networking programme called InSync, London Games Fringe, a new introductory qualification for new entrants into the industry… …

Hundreds, if not thousands, of people have benefited from 01zero-one.  Hundreds of lives have been improved, careers kick-started and fine-tuned, minds engaged and stimulated.

There are a number of remarkable things about 01zero-one. It is a media business-facing unit in the heart of a further education college. It has always been an establishment of partnership - borne out of a real drive to improve the creative industries in London. It has always kept industry at the very heart of everything it does (I sit on the industry board alongside other key figures). It has always been cutting edge - debates and discussions happen their before they bleed into the mainstream; courses available are always up-to-the-minute (some times too much; we once funded a course a number of years ago on multi-platform content that got little take up - at the time the industry didn’t see the point!). And it’s part of a wonderful Skillset Media Academy.

The success of 01zero-one is down to Mandy and her every brilliant team. She has always steered the work of it into interesting and crucial challenges. She has always worked collaboratively with key partners. She has always happy to experiment in content and delivery. She has always welcome our industries into the building with openness and great hospitality.

Wherever she goes to next, whatever she does, all of us at Skillset thank her for the support, dedication and hard work she has given our sector over the years and wish her the very best of her future endeavours.

Knowing Mandy as I do, I am sure they will be equally as important and impactful for our industry!

Leadership and Management skills in the creative media industry

June 3rd, 2009 by Triston

We at Skillset are embarking on a journey of discovery around leadership and management skills in the creative media industry. There is a strong-held belief that this area isn’t up to scratch in our sector. Maybe because we are made up of “creatives”, maybe because the business model is different, maybe because we have very little professionalisation going on - I don’t know why, but this I do know (or at least I think I do!): 

Read the rest of this entry »

Is STEREO-3D the new “black” or the new Colour?

May 31st, 2009 by Saint
The current wave of Stereo 3D cinema releases such as Bolt, Monsters vs. Aliens, Coraline and even the Jonas Brothers: the 3D Concert Experience has appealed to a new audience. Luckily they don’t remember the last time 3D was around- the ‘B’ movies that exploited the technology in order to cynically try to shift otherwise sub-standard fare.
Coraline used Stereo-3D as an integral part of production , ©2008 Laika, Inc.
Coraline used Stereo-3D as an integral part of production , ©2008 Laika, Inc.

Currently it’s reckoned that Stereo 3D films take two or three times more revenue than standard versions and sometimes it’s as high as six or seven times. For instance, 71% of My Bloody Valentine’s revenue came from 3D screens. CEO of Dreamworks, Jeffery Katzenberg, has already predicted that “moviegoers will some day own their own glasses for 3D viewing much like they own sunglasses today”.

Of course, in another year S-3D could be seen as a flash in the pan. Is it the ‘new black’- merely this season’s must-have novelty- or the new Colour- ie a major technology shift that will change the way we consume film?

The recent animation “Coraline” shows us that successful implementation of S-3D means evolving a new film grammar. DoPs who can use the intrinsic qualities of stereoscopic 3D within the palette of colour and light could well be in demand, and now’s the time to train them up.
At what stage should our Screen and Media academies and accredited Animation courses start addressing S-3D? It certainly seems to be happening in Europe.

Coraline using red screen, ©2008 Laika, Inc.
Coraline using red screen, ©2008 Laika, Inc.

Invazion 09 (www.invazion.org) is a competition for Stereo 3D short films, now in its third year, with a jury from companies like ILM, Dreamworks, Sony.
With a top prize of a Home Cinema 3D-Stereo-Projection-System including 3D-Stereo Software it’s a major lure to student film makers and animators.

It was noticeable that out of this years seven finalists only one was from the UK. Most of the others seemed to show coursework, implying S-3D is now embedded (or at least encouraged) on courses in france and germany.

Congratulations are due to Ben Smith for “The Curse of Skull Rock” an excellent animated short even in two dimensions. Ben is from Sheffield Hallam University, and came second in the Storytelling section.

The thing about Stereo-3D is you really don’t need fancy technology. It can be home-brew. It’s not like HD or 4K, out of reach to all but the richest universities. If you’re working in standard 3D CGI, you can download S-3D drivers from NVIDIA for free. In terms of shooting film, there is plenty of literature out there. “Coraline” was mostly shot with one digital camera, which was slid across on an armature to get the Left/Right eye viewpoints separately. Ingenuity plays a big role in doing it, the rules of cinematography are still being written.

Animators in Europe are starting to experiment with S-3D. Have a look at this year’s InvaZion winner Tina Braun with her graduation film “Deconstruct” www.vimeo.com/4607984
Another earlier film that created waves in the S-3D community was “Moving Still” by artist Santiago Caicedo as far back as 2006. www.swell3d.com/2008/06/moving-still-video-by-santiago.html
For accessibility, both these films can be viewed with old school anaglyph glasses (Red/Cyan lenses). Let’s see if we can increase the number of prizewinners from our universities at next year’s competition. In fact- if there’s a groundswell of demand, I’ll organise a competition and prize myself. Let me know.

Publishing events and conference round-up

May 28th, 2009 by Suzanne Ashley

It’s good to be back. Here’s a round-up of conference and event notifications we’ve received for publishing since the blog went down. There are some last minute special offers for early bird discounts - keep your eyes peeled for the deadlines.

logosipa

Specialised Information Publishers Association: 7-8 July 2009, The Tower Hotel, St Katharine’s Way, London, E1W 1LD

**Save £50 on conference rate if you book before 29 May 2009**

SIPA is the international trade association for subscription newsletter and specialised information services - in print and online. This, their annual conference, will combine round table discussions, key note speakers and themed breakout sessions to cover making money in the recession, making Twitter, LinkedIn, Facebook and other social media tools work for business, retaining and generating new subscribers on- or off-line. Discounts apply for SIPA, Data Publishers Association and Association of Learned and Professional Society Publishers members as well as companies making multiple bookings. Further information is online: http://sipaonline.com/sipauk/Julyconference

gnm-education-centre-badg-0011

The deadline for Guardian Education Centre requests for workshop bookings for the 09/10 academic year is 4 pm on 3 June 2009

Requests for workshop bookings for primary and secondary schools will close on 3 June (the workshops are very popular and requests cannot be guaranteed.) All workshops are designed to complement the National Curriculum across a variety of subjects and are hosted in the new interactive education centre at the Guardian newspaper’s offices in Kings Cross, London. Further information and an online booking form for the different workshops available can be found online: http://www.guardian.co.uk/gnmeducationcentre/5
alpsp1

Association of Learned and Professional Society Publishers Online Communities seminar: Tuesday 7 July 2009, British Institute of Radiology, 36 Portland Place, London W1B 1AT

This is a one day seminar subtitled ‘What can scholarly publishing learn from other industries?’ This topic is close to our hearts here at Skillset, with sessions from the magazine, newspaper, book, mobile devices and computer games sectors, this should prove to be a refreshing look for inspiration from outside the learned publishing community. Further details here: http://www.alpsp.org/ngen_public/article.asp?aid=73515

In with the summer sun

May 27th, 2009 by Triston

dandelion-field1We’re back!

Sorry for the downtime recently - it’s been a bit of a struggle migrating this onto our own servers -but now, like the great British summer, we’re back and we’re here to stay!

And we’ve got a new look - to go with the new Skillset logo.

We are always interested in what works for you here - there is quite a lot of you reading us now - so let us know.

If you have things to say, don’t be shy. Compliments or complaints - agreements or arguments - do let us know. We read each and every comment, and as long as it’s legal and tasteful we’ll happily add your voices to the debate. If there is a topic you would like us to talk about, let us know that too.

Thanks for reading - all at Skillset.

The Great Animation Challenge

April 18th, 2009 by Saint

img77915eflyer-top.jpg

Fancy a bit of a challenge this summer? It always helps to have material on your showreel that is extra-curricular, and if you are not a student, this is a good way to make the wider world know about your imagination and talent. Skillset are happy to support grass roots ventures such as this from AWFM. 

Animation Forum West Midlands and the organisers of Flip Animation Festival have teamed up to launch The Great Animation Challenge! Several up and coming bands are making a number of tracks freely available for animators across the UK to download and animate to, with the best and brightest screened at Wolverhampton’s Light House cinema on 21st July 2009. Midlands‘-based bands Pram (Domino Records) and Epic 45 (Make Mine Music) will be joined by last year’s Levi’s Ones to Watch tips Laurel Collective (Double Six) and Beat To Paris. To enter the contest, simply:

 The animators behind the best shorts will then be contacted in July for a screening copy of the piece.  The contest is open to animators across the UK and the winner of the best short will receive a subscription to Imagine Magazine and a copy of The Imagine Animation Directory following screenings at the Light House Cinema in Wolverhampton on 21st July 2009. The tracks can be downloaded by right-clicking on the links below and clicking ‘Save Link As’:

Pram – Sirocco (aif)
Epic45 – In All the Empty Houses (mp3)
Beat To Paris – Neon New (wav)
Laurel Collective – Fax of Death (wav)
Laurel Collective – Hindenburg Mile High Club
(aif)
 

You can find out more details on the AWFM site http://www.animationforumwm.com/ 

Introducing the ENVY Academy

April 13th, 2009 by Saint

envylogo2.jpg  It’s often easy to think of the Skills Agenda as being about the dynamics of the education sector needing to be primed and adjusted to supply relevant and up to date skills.
But in the absence of what they believe to be the level of receptiveness and speed of  established education structures, more businesses are taking the initiative to help themselves. Probably nowhere is this more acute than in the post-production industry with the incessant demand for good runners. This is still the preferred form of developing new entrants.

What is often missed by those outside the system is how post-production houses rely on ‘people skills’ as much as technology. It’s a client facing, client focused world, so runners are pivotal in its smooth operation. It’s the seeming lack of ‘academic’ skills that are needed that has led to traditional education’s lack of enthusiasm to tackle this particular skill shortage.

So, increasingly, post houses are finding inventive ways to make sure they get a supply of informed and courteous talent.
In early April I was invited to Envy Post on Rathbone Place, www.envypost.co.uk/ for a meeting of the Envy Academy. Envy won Best Post House of the year at The Broadcast Awards 2008
Envy Academy is the brainchild of Mat Appleton, head of client services. Increasingly frustrated at the hit and miss approach to finding the right talent, he uses Facebook to inform graduates about the pathway to becoming a Runner, and runs events for students to find out how to get into places such as Envy and what is expected. It would be hard but not impossible to replicate what Mat is doing in a Higher Education institute, but that’s not what Mat wants. He’d just like to have more meaningful and rewarding dialogue with educators. He’s weary of every student wanting to be an editor just out of ignorance of the career structures available in a post house such as Envy, and he’s weary of student films on showreels where he can’t work out what the individual student has done. Most of all, he is surprised at the lack of awareness of what being a runner actually means and what it offers to graduates. Knowing Final Cut Pro inside out is not enough to become a good editor. You need to understand the interaction with clients, and your role in the post house value chain. That’s what becoming a runner gives you.

Graduates are often dismayed to find the only entry into post houses is at this level, which they mistakenly consider the bottom rung.
However, with 130 employees and a complement of thirty runners Mat runs a tight ship. When I arrive the evening has begun in the well appointed bar within Envy. There is an audience of thirty people- a mix of current runners and graduates still at college/university, attracted by the Facebook communiques. Dave Cadle, Managing Director, Natascha Cadle Facility Director and Dave Bocarro, General Manager are holding forth explaining how Envy was started, and how the industry works. I wonder if the assembled students know how valuable this information is. The chance to chat with the three top managers at Envy! At a rough guess that’s 50 years of experience, and yes, head honcho Dave started as a runner.
Mat then explained how he filters hundreds of applications. He’s looking for evidence that you’ve done your research, you know his name, you know Envy. An MA student pipes up saying she has tried all the things he suggests, and has written three times. “Ah, but now I’ve met you!” says Mat, pointing out the importance of establishing relationships in this industry.
The Envy academy concept seems to work. Interested students are offered the opportunity to join Envy for a week of work experience at some point over the year. Towards the final stages of the course a selection of the most talented pupils are invited to ENVY for a series of Master classes with top operators. Finally at least one pupil will be offered a full time running position within Envy at the end of their course.
Envy have had 120 runners over three years, and at least 30 have moved up the ranks.
So how do you get in touch with Mat, and come to the Envy academy evenings? You should now be able to work that out! Try a Facebook search for a start….

engineers_envy2.jpg

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