Media skills for media people

Calling all professional and aspiring writers and literature workers

March 9th, 2010 by suzannek

ccskills

 

 

 

Are you professional or aspiring novelist, poet, writer, translator, critic, editor or agent? Our sister Sector Skills Council, Creative and Cultural Skills, is running an open consultation on their Literature Blueprint.

The Blueprint is a UK-wide workforce development plan for the literature sector developed in conjunction with Arts Council England. It will analyse the skills needs of the literature sector and propose key actions in response.

Creative and Cultural Skills are inviting writers, literature development workers and others across the literature sector to contribute to the new plan to develop the skills needs of the industry.

If you are working in the sector, make sure you have your say. Download the Literature Blueprint here. Comments should be sent to: engagement@ccskills.org.uk

Deadline for feedback is Friday 19th March 2010.

Reflecting the market? Diversity in Publishing Network Equalities Charter

March 8th, 2010 by suzannek

DIPNET

 

 

 

By 2011, just 18% of Britain’s workforce will be white, non-disabled, under 35 and heterosexual. But does the publishing workforce reflect this?

We have been working with the Diversity in Publishing Network and a number of other partners to develop a framework for UK publishers, irrespective of size, to promote and enhance equality throughout the sector. The Equalities Charter is about taking manageable, positive and practical steps towards achieving equality in publishing.

We are keen to involve all parts of the publishing sector in the development and we’d welcome your thoughts on how the draft Charter can be improved.

You can take part in the consultation by clicking here to read the draft (posted on the Publishers Association website). Email your comments to shelina.permalloo@booktrust.org.uk by Friday 12 March 2010.

Please note that comments will be collated at the close of the consultation and not reflected on the draft until then. After the consultation period has ended the Charter will be amended and will be launched at the London Book Fair in April.

The Equalities Charter has been devised by a core group comprising ACE (Arts Council England), DIPNET (The Diversity in Publishing Network), the IPG (Independent Publishers Guild), Skillset, the SYP (Society of Young Publishers) and the PA (The Publishers Association).

We are asking publishers, trade associations, booksellers and other organisations related to the publishing industry to pledge their support for equality in publishing by becoming a signatory to this charter. Please circulate this consultation call wherever possible to members, colleagues and any other contacts. And tell us if you would like to become a signatory to the Equalities Charter.

World Book Day 2010 – Thursday 4th March

March 3rd, 2010 by suzannek

wbd2010World Book Day is the biggest annual celebration of books and reading in the UK and Ireland.

And there are five things you can do to get involved.

1. Treat any children you know to one of the £1 Quick Reads

2. If you need to buy a gift, consider Book Tokens

3. Visit your local store supporting WBD

4. Follow the “Read to a million kids” broadcasts through the day

5. Follow events on the Twitter stream: @WorldBookDay

But there’s a lot more: find out about other events and news on the WBD website

Most important of all: read a book!

What video skills do you look for when commissioning professional photographers?

March 1st, 2010 by suzannek

photographer from the perspective of looking down the lensDo you regularly commission professional photographers for a publication, in print or online? We’d like to get your views on the skills you look for when you make a commission.

We’ve been running an online survey for photographers about the need for video skills, as the convergence of stills and moving image is becoming a major talking point for professionals in the industry.

We’re keen to find out more about the skills needed to meet this demand and to generate debate about how best to develop and deliver relevant and accessible training solutions.

From the responses we’ve had so far, photographers are telling us that magazines and newspapers are some of the clients who are driving this demand.

We’ve therefore created a similar set of questions for these commissioners of photography to get their views. The questions will only take a couple of minutes to answer and your answers will help inform the development of future short courses.

You can find the survey here: http://www.skillset.org/photo/article_7593_1.asp

Thank you. The survey closes at the end of this month. Your views and comments are really appreciated.

Photograph courtesy of istock

THE FUTURE OF DIGITAL CONTENT

January 28th, 2010 by Fiona Kilkelly

Digital Content will change more in the next seven years than in the last 20. Are you ready? What’s going to happen to TV & Film? Could you spot the next Spotify, iplayer or wii? What will become of news? Are you ready to get the most out of next generation networks? How do we unlock the power of social media? This is your chance to define how content will be distributed, and how it will consumed…

To answer these questions, CITIN are bringing together some of the brightest minds to explore how the future can be created in a series of workshops across England in February 2010. What new business models, what policies, what industry partnerships need to be created to deliver world class digital content to people in the most compelling manner.

CITIN are looking for people who not only have the imagination to build on these scenarios, but who know how they could be delivered. If you are interested in attending this workshop email events@citin.org.

THE BRITISH FILM AND TELEVISION INDUSTRIES – DECLINE OR OPPORTUNITY

January 27th, 2010 by Fiona Kilkelly

As you’ve probably have seen from our recent press activity, the Lords Communications Committee’s report on the state of the UK Film and TV industry was out this week. Not only was it a fine report, it had a lot of very good things to say about the importance of training and skills for the prosperity of the industry and our work at Skillset.

Here is a summary of what we said about the recommendations:

1. The Department for Business, Innovation and Skills should encourage the Higher Education Funding Council to deploy some of its funding to support high-level, post-graduate training in the postproduction and animation sectors;
2. The Higher Education and Funding Council should encourage closer relationships between universities and the creative industries;
3. Skillset’s work on a code of conduct for internships. We are encouraged by the Committee’s support and we will soon be able to publish Guidelines for the industry that cover apprenticeships and other on-the-job training, as well as internships;
4. The film and television industries should provide more equal access to training and skills-based career development through greater use of apprenticeships and graduate internships;
5. Welcoming the continuing role played by the BBC and the BBC’s willingness to make its training more widely available through the launch of the BBC Academy;
6. Understanding the current pressures on the budgets of UK commercial public service broadcasters, but highlighting that a reduction in training budgets threatens the future competitiveness of the UK television industry and urging the Government to encourage them to revive their investment in training;
7. Regret that the UK Film Council should be forced to reduce significantly its funding for training for the next three years, at a time when training should be a priority. Skillset backs the Committee’s call for the Government to make sure that the UK Film Council is adequately funded to allow it at least to restore its former level of support for training;
8. Accepting that in an industry so dependent on freelance working and informal training, there is an urgent need to clarify the uncertainty around statutory definitions of training and asking the industry regulator to take a long term view.
9. Ofcom proposals to develop co-operation within the regulatory framework for training in TV and recommending Ofcom to publish guidance to clarify the roles of the organisations involved.

Here here!

Leadership and management needs of the creative media sector

January 14th, 2010 by Fiona Kilkelly

I am hoping that some of you may be able to provide us with some insights into the leadership and management needs of the creative media sector…..

We are currently mid way through a research project with MTM London. The project aims to provide an analysis of current levels of provision and of learning priorities in the creative sector, enabling us to assess the extent to which current training needs are being met and identify opportunities to support L and M training.

I have outlined below what we have established to date, some of it you may know already but I would appreciate any feedback from you wise owls as to whether this is ringing any bells or if we are missing any nuances. Or let me know if you have undertaken any training / mentoring in L&M which has really hit the mark (we have captured about 60 initiatives so far but some may have slipped through the net).

The story so far…

1. There is a strong consensus across the industry that effective leadership and management provision to the creative sectors is likely to involve a combination of generic, sector-wide and sub-sector-specific programmes.

2. In addition, effective leadership and management provision needs to be tailored to the experience of the learner and (to a degree) the size of the learner’s company:
a. Less experienced attendees are likely to benefit most from courses focused on basic business and financial skills
b. More experienced attendees (owner / CEO level) are likely to benefit most from courses focused on developing strategic skills – such as business planning and managing change and growth
c. Additionally, training priorities tend to vary by company size – for example SME needs are likely to be more focused on people management and basic business skills, whereas larger organisations are more in need of training focused on new business models and IP

3. Importantly, there was broad consensus that effective training provision tended to incorporate some or all of the following characteristics:
a. focus on mentoring and coaching, matching learners with leaders who have proven track records
b. active learning methods built around creative tasks
c. work-based learning, with attendees to programmes able to put training knowledge into action immediately
d. short and immersive courses that allow for the needs of time-poor leaders and managers
e. be tailored to the experience of the learner
f. be delivered through short and immersive, work-based learning programmes, or intensive coaching and mentoring programmes.

4. In general, industry participants believe that there is a lack of provision tailored to sector-wide and sub-sector needs, and that where provision exists it is hard to discover and is often marketed to companies using language that does not engage creative leaders and managers.

5. Importantly, even if provision is tailored to learner needs, there are a number of important barriers to demand including cost, lack of time, and a perception that training programmes lack credibility.

What do you think, does this sound right? I welcome your thoughts, comments and questions.

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