Media skills for media people

Author Archive

     

Greenscreen with Envy

June 30th, 2010 by Saint

When times are tough, some actors have to swallow their pride, close their eyes and take the cheque. Never work with animals? Depends if the price (artistic or remunerative) is right.

James Stewart co-starred with Lassie in The Magic of Lassie (1978) whereas Clyde the orangutan took the cheque and decided to team up with Clint Eastwood twice, in Every Which Way But Loose (1978) and Any Which Way You Can (1980).  Charles Grodin, a student of Lee Strasberg (the father of method acting) had the slobbering and eponymous  St. Bernard  Beethoven (1992) upstage him, but became a household name.

No-one could accuse Noel Clarke of needing the cash or the kudos but he too gets upstaged in Skillset’s new promo, not by an animal this time, but rather by a giant CGI tick symbol.

I’ll explain. I’m talking about the new promo for Skillset’s “Pick The Tick” campaign which features Noel on a green-screen laden Sound Stage desperately trying to learn his lines. He nervously rehearses “Skillset is the industry body that supports skills and training” under his breath and tries to impress the crew with pretentious badinage that explains why the film is being made.

Clarke, star of Kidulthood and director of Adulthood, not to mention a role in Doctor Who, brings a level of aspirational urban cool with him. Here’s a role model for a new generation of film makers, talking about training.

Some would say there is a slight dissonance of an obviously self-made man (who studied on that old industry bugbear- a media course) – promoting a kitemark of quality training for creative media; but I’m sure Noel’s ambition would have seen him choose a course and university that had the strongest links with industry in his day. And that’s what the Tick is all about. You can see the video here.

Now to me the interesting thing here is of course the recognition that vfx has very much arrived in the public imagination. We all know what a green screen is for, even if we don’t know why it’s green. We even accept the role of the vfx supervisor, sitting at his laptop, behind the camera, as in this promo. The video playfully references the idea of precious or overbearing actors being replaced by a more malleable and accommodating CGI, and these days we can all enjoy the joke.

By stealth this video also alludes to a new priority within Skillset’s Film, TV and Animation departments. We have a programme to help the UK’s nascent vfx degrees get tooled up to industry standard; a TV bursary scheme to allow tv sector freelancers to get access to Escape Studios’ online vfx courses; and bursaries for editors to enable them to take on more advanced vfx-heavy projects. Also, as new vfx courses emerge, we’ll be building a framework to accredit the best. As a frustrated and defeated Noel storms off in the video, it’s worth remembering the Tick symbol is not to be feared, but celebrated. It’s as friendly as canine talent like Beethoven and Lassie, but without the slobbering.

Noel’s done his bit. Now here’s YOUR homework:
http://www.skillset.org/funding/individuals/VFX_Bursaries/ (till 30th Sept 2010)
http://www.skillset.org/funding/individuals/film_bursaries/
http://courses.skillset.org/pick_the_tick/what_is_the_tick

DOES THE MILK ROUND STILL DELIVER? The demise of the degree show and why we should do something about it

August 16th, 2009 by Saint

Hundreds of shows. Who can visit them all?

Producing relevant talent is just one aspect of the work of Skillset academies and accredited courses. Another is to interface and stay in dialogue with industry, and to feed back knowledge collected this way into the teaching system. In order to make this happen and lure industry into these relationships, the university needs to promote the work of its students, who are after all the output of this endeavour.

In the past it was enough to set up a shop-window and invite people to look in. On creative media courses this traditionally takes the form of the degree show, an annual rite of passage for the student, and an opportunity for industry to recruit or at least to get a drink of wine and informally network with the host institution.

But maybe now is the time to examine the degree show from industry’s perspective. A degree show is an excellent vehicle for students to test out their presentation skills, and an opportunity to take stock of their personal development, and even to learn from peers.

But as an opportunity for industry, it is increasingly anachronistic (more…)

MY NEW BEST FRIEND: mentoring in the games industry

July 17th, 2009 by Saint

Three wise men: Thomas Bidaux, Charles Cecil and David Wightman

Mentoring is to my mind a quite quixotic way of imparting skills. In effect it’s actually about knowledge exchange rather than skills, and hence is a little bit off the Skillset radar. It’s also usually a one to one activity, and hence rather expensive to institute. In fact one-to-one is a little misleading. There are usually (to paraphrase Princess Di) at least three people in this marriage- mentor, mentee and matchmaker or fixer. That’s a hell of a bill to pay at the end of the day for often unpredictable outcomes. But when you apply that equation to the Games industry, it might just be worth the risk for two reasons.

Firstly ideas have to be a lot hardier these days to weather the economic realities outside of the concept art stage- the previous originality of British brands like Elite, Lemmings and Worms just wouldn’t survive today’s climate without serious economic, logistic and even legal planning and canniness before hitting the market.

Secondly, the rewards can be huge for UK PLC; it’s reckoned Jagex make 60 million dollars of annual sales from Runescape. Estimates suggest that the IP for GTA has generated 1.9 billion for Take 2 (Games Investor report).
For those two reasons, it’s surely worth taking a punt at mentoring.

(more…)

Is STEREO-3D the new “black” or the new Colour?

May 31st, 2009 by Saint
The current wave of Stereo 3D cinema releases such as Bolt, Monsters vs. Aliens, Coraline and even the Jonas Brothers: the 3D Concert Experience has appealed to a new audience. Luckily they don’t remember the last time 3D was around- the ‘B’ movies that exploited the technology in order to cynically try to shift otherwise sub-standard fare.
Coraline used Stereo-3D as an integral part of production , ©2008 Laika, Inc.
Coraline used Stereo-3D as an integral part of production , ©2008 Laika, Inc.

Currently it’s reckoned that Stereo 3D films take two or three times more revenue than standard versions and sometimes it’s as high as six or seven times. For instance, 71% of My Bloody Valentine’s revenue came from 3D screens. CEO of Dreamworks, Jeffery Katzenberg, has already predicted that “moviegoers will some day own their own glasses for 3D viewing much like they own sunglasses today”.

Of course, in another year S-3D could be seen as a flash in the pan. Is it the ‘new black’- merely this season’s must-have novelty- or the new Colour- ie a major technology shift that will change the way we consume film?

The recent animation “Coraline” shows us that successful implementation of S-3D means evolving a new film grammar. DoPs who can use the intrinsic qualities of stereoscopic 3D within the palette of colour and light could well be in demand, and now’s the time to train them up.
At what stage should our Screen and Media academies and accredited Animation courses start addressing S-3D? It certainly seems to be happening in Europe.

Coraline using red screen, ©2008 Laika, Inc.
Coraline using red screen, ©2008 Laika, Inc.

Invazion 09 (www.invazion.org) is a competition for Stereo 3D short films, now in its third year, with a jury from companies like ILM, Dreamworks, Sony.
With a top prize of a Home Cinema 3D-Stereo-Projection-System including 3D-Stereo Software it’s a major lure to student film makers and animators.

It was noticeable that out of this years seven finalists only one was from the UK. Most of the others seemed to show coursework, implying S-3D is now embedded (or at least encouraged) on courses in france and germany.

Congratulations are due to Ben Smith for “The Curse of Skull Rock” an excellent animated short even in two dimensions. Ben is from Sheffield Hallam University, and came second in the Storytelling section.

The thing about Stereo-3D is you really don’t need fancy technology. It can be home-brew. It’s not like HD or 4K, out of reach to all but the richest universities. If you’re working in standard 3D CGI, you can download S-3D drivers from NVIDIA for free. In terms of shooting film, there is plenty of literature out there. “Coraline” was mostly shot with one digital camera, which was slid across on an armature to get the Left/Right eye viewpoints separately. Ingenuity plays a big role in doing it, the rules of cinematography are still being written.

Animators in Europe are starting to experiment with S-3D. Have a look at this year’s InvaZion winner Tina Braun with her graduation film “Deconstruct” www.vimeo.com/4607984
Another earlier film that created waves in the S-3D community was “Moving Still” by artist Santiago Caicedo as far back as 2006. www.swell3d.com/2008/06/moving-still-video-by-santiago.html
For accessibility, both these films can be viewed with old school anaglyph glasses (Red/Cyan lenses). Let’s see if we can increase the number of prizewinners from our universities at next year’s competition. In fact- if there’s a groundswell of demand, I’ll organise a competition and prize myself. Let me know.

The Great Animation Challenge

April 18th, 2009 by Saint

img77915eflyer-top.jpg

Fancy a bit of a challenge this summer? It always helps to have material on your showreel that is extra-curricular, and if you are not a student, this is a good way to make the wider world know about your imagination and talent. Skillset are happy to support grass roots ventures such as this from AWFM. 

Animation Forum West Midlands and the organisers of Flip Animation Festival have teamed up to launch The Great Animation Challenge! Several up and coming bands are making a number of tracks freely available for animators across the UK to download and animate to, with the best and brightest screened at Wolverhampton’s Light House cinema on 21st July 2009. Midlands‘-based bands Pram (Domino Records) and Epic 45 (Make Mine Music) will be joined by last year’s Levi’s Ones to Watch tips Laurel Collective (Double Six) and Beat To Paris. To enter the contest, simply:

 The animators behind the best shorts will then be contacted in July for a screening copy of the piece.  The contest is open to animators across the UK and the winner of the best short will receive a subscription to Imagine Magazine and a copy of The Imagine Animation Directory following screenings at the Light House Cinema in Wolverhampton on 21st July 2009. The tracks can be downloaded by right-clicking on the links below and clicking ‘Save Link As’:

Pram – Sirocco (aif)
Epic45 – In All the Empty Houses (mp3)
Beat To Paris – Neon New (wav)
Laurel Collective – Fax of Death (wav)
Laurel Collective – Hindenburg Mile High Club
(aif)
 

You can find out more details on the AWFM site http://www.animationforumwm.com/ 

Introducing the ENVY Academy

April 13th, 2009 by Saint

envylogo2.jpg  It’s often easy to think of the Skills Agenda as being about the dynamics of the education sector needing to be primed and adjusted to supply relevant and up to date skills.
But in the absence of what they believe to be the level of receptiveness and speed of  established education structures, more businesses are taking the initiative to help themselves. Probably nowhere is this more acute than in the post-production industry with the incessant demand for good runners. This is still the preferred form of developing new entrants.

What is often missed by those outside the system is how post-production houses rely on ‘people skills’ as much as technology. It’s a client facing, client focused world, so runners are pivotal in its smooth operation. It’s the seeming lack of ‘academic’ skills that are needed that has led to traditional education’s lack of enthusiasm to tackle this particular skill shortage.

So, increasingly, post houses are finding inventive ways to make sure they get a supply of informed and courteous talent.
In early April I was invited to Envy Post on Rathbone Place, www.envypost.co.uk/ for a meeting of the Envy Academy. Envy won Best Post House of the year at The Broadcast Awards 2008
Envy Academy is the brainchild of Mat Appleton, head of client services. Increasingly frustrated at the hit and miss approach to finding the right talent, he uses Facebook to inform graduates about the pathway to becoming a Runner, and runs events for students to find out how to get into places such as Envy and what is expected. It would be hard but not impossible to replicate what Mat is doing in a Higher Education institute, but that’s not what Mat wants. He’d just like to have more meaningful and rewarding dialogue with educators. He’s weary of every student wanting to be an editor just out of ignorance of the career structures available in a post house such as Envy, and he’s weary of student films on showreels where he can’t work out what the individual student has done. Most of all, he is surprised at the lack of awareness of what being a runner actually means and what it offers to graduates. Knowing Final Cut Pro inside out is not enough to become a good editor. You need to understand the interaction with clients, and your role in the post house value chain. That’s what becoming a runner gives you.

Graduates are often dismayed to find the only entry into post houses is at this level, which they mistakenly consider the bottom rung.
However, with 130 employees and a complement of thirty runners Mat runs a tight ship. When I arrive the evening has begun in the well appointed bar within Envy. There is an audience of thirty people- a mix of current runners and graduates still at college/university, attracted by the Facebook communiques. Dave Cadle, Managing Director, Natascha Cadle Facility Director and Dave Bocarro, General Manager are holding forth explaining how Envy was started, and how the industry works. I wonder if the assembled students know how valuable this information is. The chance to chat with the three top managers at Envy! At a rough guess that’s 50 years of experience, and yes, head honcho Dave started as a runner.
Mat then explained how he filters hundreds of applications. He’s looking for evidence that you’ve done your research, you know his name, you know Envy. An MA student pipes up saying she has tried all the things he suggests, and has written three times. “Ah, but now I’ve met you!” says Mat, pointing out the importance of establishing relationships in this industry.
The Envy academy concept seems to work. Interested students are offered the opportunity to join Envy for a week of work experience at some point over the year. Towards the final stages of the course a selection of the most talented pupils are invited to ENVY for a series of Master classes with top operators. Finally at least one pupil will be offered a full time running position within Envy at the end of their course.
Envy have had 120 runners over three years, and at least 30 have moved up the ranks.
So how do you get in touch with Mat, and come to the Envy academy evenings? You should now be able to work that out! Try a Facebook search for a start….

engineers_envy2.jpg

     

Skillset blog has been set up to stimulate and encourage debate around skills issues within the Creative Media Industries. The individuals who post at Skillset blog work at Skillset. The opinions and ideas expressed are their own and are not necessarily reviewed in advance by anyone but the individual authors. Neither Skillset nor any third party necessarily agrees with them.

© Skillset Blog, all rights reserved.  |  Skillset Blog is powered by WordPress.